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10.David Bowie:”The laughing gnome / The gospel according to Tony day”

Second single for Dram, released on April 14, 1967 in England, USA (distributed by London) and some European countries like Belgium (where in a production effort the single had a cover, this being Bowie's first record to have one) unfortunately was not lucky this new foray into the single market and failed miserably in all rankings.

The songs were recorded in the Study No 2 Decca West Hampstead, on January 26, 1967, with Mike Vernon in the production, the stable Fearnley, Boyes and Eager (bass, keyboard and drums) Bowie on vocals and guitar and artists.

"The Laughing Gnome" was a conversation between Bowie and a gnome, played by Bowie himself with his voice played at double speed. An undetermined number were printed on transparencies with different editions of the topic, from 2:20 to 3:30, some even include additional voices gnome.

On June 67, at the same time it was edited 1 LP Bowie , TV presenter Ronnie Hilton launches "The laughing gnome" in a single, B-side of "If I were a rich man." This version was included in the compilation Oh You Pretty Things "(2006) Castle seal.

In August 1973, taking advantage of the great success of the LPs "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" and "Aladdin Sane", Dram reissued the single getting what they expected to have achieved six years earlier, reaching the top of lists. "The laughing gnome" sells 250 000 copies, reaching No. 6 ranking in England and 12 weeks remaining in it. The single was released in much of Europe, some countries in Africa and the United States and Canada under the label London. In September was released in Germany and Spain with other B-sides ("Silly boy blue" and "Rubber band" respectively), the covers had multiple editions pictures of Bowie in 1973 with the look of Ziggy. Building on the success tibuto albums also appear during the same 73 shows "Sound like the best of David Bowie and Elton John", where session musicians cover "The laughing gnome."

In a second wave of revival of the sound of Bowie Dram and exploiting the anxiety of the fans during a break in his career, the label reissued the single in June 1982 without success nine years earlier. The following year the A-side is included in other taxes, "Sound like David Bowie," also recorded by session musicians unspecified.

Finally the issue also appears in taxes "Ashes to ashes" (1998) and "Diamond gods" (2001), covered by "Living room" and "Buster Bloodvessel" respectively. "The Gospel According to Tony Day" is covered by "Edwyn Collins" in tribute "Starman" in 2003, which was distributed by the British magazine Uncut.

Listen to Bowie and the laughing gnome here

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9.Oscar:”Over the wall we go / Every day of my life”

Bowie gives one of his songs, "Over the wall we go ", Oscar (born Paul Oscar Beuselinck) an actor and singer, also known as Paul Dean, Paul Nicholas and Ivor Bird.

The single was produced by Robert Stigwood and arrangements They were exposed by Nicky Welsh. In the recording you can listen to Bowie and the Prisoner 33425.

Reaction seal the issue launched in January 67 with "Every day of my life" on the back, unfortunately failed to appear in the rankings. There is a website that states that the single was actually released in September 1966 with "Days gone by" B-side, but I have not found any images or articles on other sites to confirm the information.

Bowie demo version appears on several bootlegs and came to be played on Radio London in early 1967, but was censored on other radio stations for their content mockery of the prison system.

In 1977, the RSO label reissued the single, this time with "Beauty queen". Oscar uses the pseudonym "Ivor Bird" for this reissue, which cuts the original 1966 final. This latest version is included in the compilations "tribute" David Bowie Songbook "1997 and" Oh! You Pretty Things "in 2006.

Here you can listen to Oscar singing "Over the wall we go"

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8.David Bowie:”Rubber band / The London boys"

Bowie Wins Contract with Dram, another subsidiary label of Decca and London is also distributed in the U.S.. The demo contained three issues presented including "Rubber Band", which became the first single and is clearly influenced by the music and the vocal timbre of Anthony Newley.

The song is recorded at RG Jones studios in London on October 18, 1966, produced by Mike Vernon and Bowie on vocals and guitar, Dek Fearnley on bass, Derek Boyes in organ and John Eager on drums, plus Session musicians whose names are lost in time. Dram

launches single on December 2, 1966 in England, with "The London Boys" B-side, and in June 1967 in the U.S., accompanied by "There is a happy land." Unfortunately and despite the good reviews from the press the new single was a failure in Bowie's career.

Some websites say that in France launched the single "The London Boys / There is a happy land" the same Dec. 2, but that would be almost impossible because the B side was recorded just eight days before and could not have achieved mixed, printed on vinyl and shipping France. If this single was released in France, but only in 1975.

The LP "David Bowie", 1967 see a different version of the theme, which is included in the 1969 film "Love you till Tuesday." The demo version circulated only in a few cassettes, bootlegs.

A single of "T. Rex" entitled "London Boys", released in 1976, often often mistaken for the B side of "Rubber Band", but these are two different songs.

"The London Boys" was also recorded in 2000 for the project "Toy", but was never released officially, only a fragment of 1:30 was released as an advance for BowieNet subscribers during the same period interpreted Bowie live on tour LP "Hours" and included in the excellent presentation of June 27, 2000 at the BBC, although it was not broadcast on TV or out on the bonus disc of "Bowie at the Beeb" the same year ( see post # 7 for more info) .

covers In 2007 Marc Almond "The London boys" in his album "Stardom Road"

If clikea here heard of 1 single from Bowie to Dram

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7.David Bowie:”I dig everything / I’m not losing sleep”

Bowie returns loading and with The Buzz recorded a demo of his new composition: "I dig everything", but this time wanted to succeed Tony Hatch and replaces Buzz session musicians who recorded two songs written by Bowie in Pye studios in London on July 5, 1966.

Unfortunately the efforts of Bowie and Hatch do not work, the 7 "released in August sold very little and the pair separated after a third failure in a row, Bowie is also without a label to back it up.

As the two 7 "above, as a tribute to the band" The Great Imposters "cover both subjects in the LP" Dollars in Drag "in 1977. And the original versions are included in the compilation of 1985 "Anthology of British rock" label Compleat.

In 2000 Bowie rewrite "I dig everything" for the project "Toy", never the officially published, but included in the tour of the LP "Hours" in this context, the June 27, 2000 Bowie plays the theme with an excellent selection of hits from over an hour (which was also broadcast on TV and released as a bonus disc of "Bowie at the Beeb", although both are not included "I dig everything"). The session musicians were: Bowie on vocals and acoustic guitar, Earl Slick on guitar and Mark Plati, Gail Ann Dorsey on bass, Mike Garson on keyboards, Sterling Campbell on drums and Holly Palmer and Emm Gryner in choirs.

next year "I'm not losing sleep" is incorporated into the second installment of "Doin 'the Mod" the Castle Music label (titled "Jump and Dance") with other singles for Piccadilly and Pye stamps released between 1961 and 1970.

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6.David Bowie:"Do anything you say / Good morning girl”

First recording as "David Bowie", despite having a band stable support called "The Buzz" and second single for Pye. This time the single was distributed only in England and was released on April 1, 1966, with dismal trade performance.

Again both Bowie songs are composed and produced by Tony Hatch in the studios of Pye in London, the recording session was held on March 7, 1966 and was with Bowie on vocals, guitar John Hutchinson, Dek Fearnley on bass, Derek Boyes on organ, John Eager on drums and session musicians unspecified.

Like as with the previous single ( post No. 5 ) Pye reissued on 7 "in September 1972, this time with" I dig everything "B-side, this version was released in Japan under the Teichiku label Pye licensed. You released a 7 "special (which was played at 33rpm and 45rpm not like the seven" traditional, so there was more space on each side) in October of that year with "Do anything you say" and "I dig everything "on side A and" Can not help thinking about me "and" I'm not loosing sleep "on side B, this latest version was re-launched in June 1978 by the Pye Canada.

As also happened with the 7 "back in 1977" The Great Imposters "cover her face in tribute to" Dollars in drag "and in 1985 both side A and B are included in" Anthology of British rock. "

In 1999 the compilation "I Dig Everything: The 1966 Pye Singles" includes an alternate mix of "Do anything you say" where is the piano. The following year the Castle Music label includes "Good morning girl" in the compilation "Doin 'the Mod 1: The Go-Go Train", the first of a series of compilations with music of the late 60s (64 to 67 in this case) of the stamps Pye and Piccadilly.

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5.David Bowie and The Lower Third:"Can’t help thinking about me / And I say to myself"

First recording by the name of David Bowie and second single together with "The Lower Third" (Taylor, Givens and Lancaster), is also the second single with two original compositions of David, this time with the last name Bowie.

Bowie This time he records with the Pye label and produced by Tony Hatch, the strongman of A & R Seal, who recorded the group in the Pye studios in London. The single was released on January 14, 1966 in England and thanks to the label was distributed by Warner Bros is also launched U.S. in May of that year, being the first recording of Bowie to cross the Atlantic. Anyway, the single was another failure in his career.

"Can not help thinking about me" is also the first song from Bowie to appear on an LP, it is the compilation "Hitmakers Vol 4" Pye, also released in 1966 (some sources indicate that in March) and which included two themes of the "Kinks" and a "Donovan" among others.

Pye In September 1972, reissued internationally "Can not help thinking about me" but this time with "I'm not losing sleep" on side B, a clear signal achievement of the success of Bowie that year. Subsequently, the single is reissued in Canada in June 1978, but this time with "Do anything you say" as B-side

In 1977 "The Great Imposters" cover her face in tribute to "Dollars in drag." In 1985 two issues, in their original versions, are included in a compilation entitled "Anthology of British rock" launched by the Compleat label in 1985.

"Can not help thinking about me" was also included on a tribute LP entitled "Only Bowie" of 1995 in a group version of "Davy Jones' mannish iddeals" (interesting name).

Perhaps thinking of the project "Toy", although no record of who has worked on this issue, including the A-side Bowie on tour tracklist LP "Hours" and is presented in the BBC's "The Mark and Lard Show" on October 25, 1999, together with Page Hamilton and Mark Plati in guitar, Gail Ann Dorsey on bass, Mike Garson on keyboards, Sterling Campbell on drums, and Emm Gryner Holly Palmer on vocals and production by Will Saunders.

In 2002 the Castle Music label includes "Can not help thinking about me" on the compilation "Doin 'the Mod 4: Ready, Steady, Stop!" with other singles of the Pye and Piccadilly label released between 1965 and 1969.

Click here to click "Can not help thinking about me / And I say to myself"

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4. Davy Jones and The Lower Third:"You’ve got a habit of leaving / Baby loves that way"

Soon record "I pity the fool" Bowie leaves "Manish Boys" and is next to Dennis Taylor (guitar, vocals), Graham Givens (bass and vocals) and Phil Lancaster (drums, vocals) the group "Davy Jones and the Lower Third "(with Bowie on vocals and sax) and recorded a 2nd single for Parlophone, first original songs on both sides of 7".

The recording was made in the same IBC studios in London and also featured as a producer Shel Talmy (who also took over some backing vocals). The 7 "was released on August 20, 1965 and in commercial terms was a resounding failure.

In 2000 Bowie LP start a project which never published, was to be called" Toy "and was to rewrite these early issues thirty-odd years later. Some subjects never saw the light, as "Liza Jane", but both "You've got a habit of Leaving" and "Baby Loves That Way" were released as B-sides of singles "Slow Burn" and "Everyone says hi" from the album "Heathen" in 2002. Looking remake versions and non-clone "You've got a habit of Leaving "was recorded at half the speed of the original version.

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3.The Manish Boys:"I pity the fool / take my tip"

second single with the presence of Bowie as a performer, this time as frontman of The Manish Boys, "an R & B group that meets Bowie late 1964 and whose name was taken from a Muddy Waters song. With this group achieved a little more Bowie figuration, reaching playing at the Marquee Club, in the TV show Juke Box Jury and opening for "Gerry and the Pacemakers."

By 1965 the group included David Jones (Bowie) on vocals and alto sax, John Edward on guitar, John Watson on bass, John Whitehead on drums, Bob Solly on keyboards, baritone sax Wilf Byrne and Paul Rodriguez on tenor sax and trumpet.

The Manish Boys get a contract with Parlophone, a subsidiary label of EMI, the same as "The Beatles" and recorded two songs with producer Shel Talmy: "I pity the fool, "Malone Deadric original and recorded in 1961 by Bobby "Blue" Bland with great success, reaching the top of the lists of R & B and even reaching No. 48 of Billboard. And "Take my tip," composed by Bowie. The single recorded at IBC Studios in London goes on sale on March 5, 1965.

Talmy hired to "I pity the fool" at a session guitarist Jimmy Page, future member of "The Yardbirds" and leader of "Led Zeppelin", who for recording session yields a riff of his responsibility to Bowie, who used years later in "The supermen " 1970 and "Dead Man Walking" 1997.

The March 5, 1979 EMI reissued the single and the next in a single 7 "with" I pity the fool "and" Take my tip " on side A and "You've got a habit of Leaving" and "Baby Loves That Way" in B.

The English label See for Miles buys rights distribution of the reprint of the 1979 single EMI and throws in a 10 "in October 1982, at 12" in Spain in 1983, at 12 "in June 1985 in England and on a CD single in France in 1990, which way to squeeze the product.

In 1991 two issues are included in the compilation "Early on" the Rhino label, but in both cases these shots with small differences in the mix voice in Version 7 "1965. In December the following year the British magazine" Vox "includes" Take my tip "on a promotional cassette that came with the publication of the month, which highlighted singles of all times of the Parlophone label, with music by The Hollies, Deep Purple, Television, Duran Duran and Radiohead.

Finally in January 2007 the four themes of the 1979 edition are available for legal download on iTunes download.

Hear 7 "

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2. Kenny Miller: "Restless / Take my tip”

" Take my tip "is the first song composed by Bowie is also the first issue of Bowie recorded by another artist, but in fact is still called David Jones.

Kenny Miller, American actor science fiction released the track as its B-side single "Restless" under the label Stateside in January 1965 (although some sites say it's April), produced by Shel Talmy, who produced the first recordings of The Who "" The Kinks "and the next single of the Bowie.

* Despite many attempts and long audio file is not available, if you have it please contact me, thanks in advance.

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1. Davie Jones with The King Bees: "Liza Jane / Louie Louie go home"

First single from Bowie, released as "Davie Jones with The King Bees", closer to his first name "David Jones" that the pseudonym adopted in a couple of years.

The King Bees "were George Underwood and Roger Black on guitar, Francis Howard on bass, Robert Allen on drums and Mr. Jones on vocals and saxophone. The group's name was taken from a song by blues singer Slim Harpo.

Both songs were recorded at the Decca studios in Broadhurst Gardens, West Hampstead and produced by Leslie Conn, a talent scout for the organization of Dick James, who became the manager for a King Bees months. Conn also credited "Liza Jane" when in fact it is an adaptation of an old black spiritual.

The single 7 "was released on June 5, 1964 by the label" Vocalion Pop, a subsidiary label of Decca, and there is also an issue under the label promotional Dick James acetate including "Liza Jane" on both sides.

The B side "Louie, Louie Go Home" was recorded a few months before by Paul Revere & The Riders and was composed of the same Revere (organist of the group) and lead singer Mark Lindsay, although some websites say which was composed only by Revere.

The issue was a commercial failure, it came through the ranks and was well publicized, so Conn and ended their relationship Bowie contract. Conn moved to Spain and his mother bounced away about 200 copies of the single that Conn had kept in his garage, now a copy of 7 "is valued at more than $ 1,000. Decca in September 1978 decided to reissue the single .

Decca in 1998 include "Louie, Louie Go Home" on the compilation "Decca Originals: The R & B Scene." Bowie in 2000 rewrites "Liza Jane" to the draft LP "Toy", but never officially published. Finally, the June 6, 2004 Bowie plays a snippet of the song at the PNC Bank Arts Center in New Jersey, USA to celebrate its 40th anniversary.

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