First recording as "David Bowie", despite having a band stable support called "The Buzz" and second single for Pye. This time the single was distributed only in England and was released on April 1, 1966, with dismal trade performance.
Again both Bowie songs are composed and produced by Tony Hatch in the studios of Pye in London, the recording session was held on March 7, 1966 and was with Bowie on vocals, guitar John Hutchinson, Dek Fearnley on bass, Derek Boyes on organ, John Eager on drums and session musicians unspecified.
Like as with the previous single ( post No. 5 ) Pye reissued on 7 "in September 1972, this time with" I dig everything "B-side, this version was released in Japan under the Teichiku label Pye licensed. You released a 7 "special (which was played at 33rpm and 45rpm not like the seven" traditional, so there was more space on each side) in October of that year with "Do anything you say" and "I dig everything "on side A and" Can not help thinking about me "and" I'm not loosing sleep "on side B, this latest version was re-launched in June 1978 by the Pye Canada.
As also happened with the 7 "back in 1977" The Great Imposters "cover her face in tribute to" Dollars in drag "and in 1985 both side A and B are included in" Anthology of British rock. "
In 1999 the compilation "I Dig Everything: The 1966 Pye Singles" includes an alternate mix of "Do anything you say" where is the piano. The following year the Castle Music label includes "Good morning girl" in the compilation "Doin 'the Mod 1: The Go-Go Train", the first of a series of compilations with music of the late 60s (64 to 67 in this case) of the stamps Pye and Piccadilly.
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