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20.David Bowie:" David Bowie "

Bowie second and first LP for Philips, like the LP Dram had no name. On the A side was the now famous "Space oddity " full version "Unwashed and Somewhat Slightly Dazed", "Letter to Hermione" and extensive "Cygnet Committee". On the back there were five issues, "Janine", "An occasional dream", " The wild eyed boy from freecloud " in a version with orchestra, "God knows I'm good" and the equally lengthy "Memory of a free festival . The ten tracks were composed David Bowie.

During 1969 Bowie wrote and recorded demos of songs, some of them circulated on bootlegs and through the Internet in recent years. Besides the aforementioned demo of "Space oddity " there are previous versions of "Letter to Hermione" (originally titled "I'm not quite"), "Cygnet Committee" (called "Lover to the dawn") and "Janine" . The album achieves an interesting blend of folk, ballads and progressive rock.

way of advancement "Janine" and "Unwashed and Somewhat Slightly Dazed "had been interpreted in the BBC, October 20, 1969, with Mick Wayne and Tim Renwick on guitar, John Lodge on bass and John Cambridge on drums, production was conducted by Paul Williams and the show was passed six days after its recording.

The LP is released on November 4, 1969 in England, with all tracks produced by Tony Visconti (except the two that had been developed in single, "Space Oddity" and "The wild eyed boy from freecloud "which were conducted by Gus Dudgeon) and was recorded at Trident Studios in London between June and September. The vinyl cover was double, was opened and revealed the letters on the back, a considerable investment for the time stamp, although some issues, such as Australia, the case was simple.

The musicians involved were: David Bowie on vocals, guitars, electric organ, Stylophone and kalimba, Keith Christmas and guitars Mick Wayne, Tim Renwick on guitar and flute, Tony Visconti on bass and flutes; Herbie Flowers on bass, Rick Wakeman on piano, mellotron and harpsichord, John Cambridge and Terry Cox on drums, Benny Marshall on harmonica, Paul Buckmaster on cello for "The wild eyed boy from freecloud" as well an orchestra of 50 artists.

A few days after the LP was released in U.S. on Mercury label, but this time the album is named "Man of words, man of music" and a different cover. There is also a detail not least, the end of the 2 nd issue, "Unwashed and Somewhat Slightly Dazed" in the English version there is a small 40-second jam entitled "Do not sit down", that is not listed in the credits. In the U.S. version of this jam is removed, which over the years led to the choice of English and American versions of "Unwashed and Somewhat Slightly Dazed" had a different duration, in fact the song is the same, but the difference is the absence of "Do not sit down", whose duration had been added to "Unwashed and Somewhat Slightly Dazed" on the cover English.

Despite the good results of the single and critical acclaim from the press, the LP does not enter the charts in England or the United States, jeopardizing the contract with the Philips / Mercury.

Bowie returns to the BBC on February 5, 1970 and played seven songs from the album, leaving out only to "Space Oddity" and "Letter to Hermione. " The show was broadcast three days later and was Bowie on vocals and guitar, John Cambridge on drums, Tony Visconti on bass, Mick Ronson on guitar and Jeff Griffin in production. Note that the version of "Memory of a free festival is an edited version, soon to be released in single . Unfortunately, the master recording was accidentally deleted, had just come down to us through bootlegs taken from a cassette recorded directly from the radio, with a clearly inferior quality to the original tape. Finally, for the release of "Bowie at the Beeb", the official compilation of the BBC, 2000, Bowie gave his own master recording, saving the situation. On March 25, Bowie will "Sound of the seventies," the show on the BBC Andy Ferris, with the same musicians and production of Bernie Andrews, to play "The wild eyed boy from freecloud" along with three other issues sessions next LP, the show was broadcast on 6 April.

buys rights RCA recordings from the Philips in 1972 and in November, three years after the original release and building on the success of Bowie that year, reviving the LP. This time he has a new name "Space Oddity" a new cover with a picture of Bowie in 1972 and finally eliminating the jam "Do not sit down." The first copies of the album came with a poster of the cover and in Spain the album was titled "Space Odyssey." This time the disk if it was successful in the U.S. rose to number 16 in England at No. 17 and in Australia at number 21. In 1976 and 1978, the LP is reissued in Japan.

During the tour of 1973 Bowie plays (in addition to "Space Oddity" and "The wild eyed boy from freecloud") "Memory of a free festival" in some of the dates.

In October 1984, RCA reissued the LP "Space oddity", but this time throws a CD release, a new format that was entering the market with force . The CD edition for England and Europe was made in Germany and the U.S. edition and the rest of the world was made in Japan.

EMI in 1990 for England and the rest of the world and the U.S. Rykodisc to acquire the Bowie catalog for the RCA and released the LP "Space Oddity." In 2LPs a beautiful edition, the second disc, which was only printed one side, there were three bonus tracks: "Conversation Piece", the B-side single "The Prettiest Star," "Memory of a free festival (part 1 ) "and" Memory of a free festival (part 2) ", both made up another single 1970. The issue remained the face of 1972, the reverse was the picture of" Man of words, man of music "and within was the cover of 1972, this edition also did justice to "Do not sit down" replacing the jam and put it on credit. They are edited version CD with bonus tracks at the end of "Memory of a free festival." This edition did appear in the ranking No 64 English.

LP Some items were incorporated into Bowie tribute album, the first is "Unwashed and Somewhat Slightly Dazed" covered by "Bare-Ass Minimums" in tribute "Only Bowie's" 1995, then "Memory of a free festival," covered by "Mercury Rev" in tribute to "Crash course of the ravers" in 1996 and David Fisher in the tribute "Diamond gods", 2001; and "God knows I'm good" in the same tax "Diamond gods" has a version by "Bellatrix."

In September 1999, EMI reissued on LP and CD, restores the original cover and back cover, retains the name "Space oddity", but unfortunately discard bonus tracks. Finally, on January 22, 2007 Japanese EMI released the LP in a CD with a version that mimics the cover art of vinyl

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19 . David Bowie's "Space Oddity / The Wild Eyed Boy From freecloud"

(This is probably the longest post and the highest numbers images of the entire blog).

Finally! After five years of Bowie recordings to be featured in the rankings, not only that, reaching the top 5 in the ranking of England and launched what is probably his most famous song.

already split with Dram, in early 1969 he auditioned for the Philips Bowie, singing with his friend John Hutchinson (guitar and vocals), among other things, "Space Oddity." It's probably the song that convinced the label executives and sign the contract by an LP with the option of a second if the first does appear in the rankings.

A Bowie this summer filming the movie "Love you till Tuesday" with Dram and where material includes a first version of "Space Oddity" sound closer to Dram and where you can see what it would be a their first "music."

The single is released the same day the Apollo 11 mission landed on 11 July 1969, and is accompanied by "The wild eyed boy from freecloud" on side B, a ballad with Bowie on vocals and guitar, Paul Buckmaster on cello. U.S. and Canadian distribution label was in charge of Mercury and the single reached the place # 124 in the U.S. ranking at # 8 in Holland, # 13 in Ireland, Sweden # 15 and # 54 in Italy. The original versions were all mono English, although some 7 "did not leave specified. In the Netherlands some promo copies were printed in stereo and were imported to England.

LP was being produced by Tony Visconti, who had worked with Bowie in some presentations at the BBC , but Visconti does not like "Space Oddity" and decides that Gus Dudgeon is in charge of producing this single in advance. It is even rumored to be thought of George Martin (producer of The Beatles) for the production of LP . The musicians who participated in this historic recording session at Trident Studios in London on June 20, 1969, were Herbie Flowers on bass, Terry Cox on drums and Rick Wakeman on piano and mellotron, as well as session musicians unspecified by the strings. Bowie took over the vocals, guitars and the "Stylophone" an electronic instrument created in 1967 by Brian Jarvis and has been used by groups like Kraftwerk, Erasure, Pulp, Orbital, Marilyn Manson and The Racounters.

The single title is similar to the novel by Arthur C. Clark and Stanley Kubrick's film 1968: "2001 a Space Oddisey" whose main character curiously named David Bowman. Is said to be inspired by the plight of the astronauts who lived through the Apollo 8 mission, but the issue actually tells the adventures of Major Tom, a fictional astronaut who becomes depressed during his mission to space.

Versions of the 7 "are edited from the version due out in November in the LP of 5'14". In England "Space oddity" lasts 4'33 "and in the U.S. and Canada only lasts 3'23", basically making the issue to finish sooner. In the U.S. the B side is also edited, making it start from the second verse and being in 3'14''.

's success in England makes The single is edited throughout the world, is published in September in Germany, Italy and the Netherlands (in the latter includes a spoken introduction to "The wild eyed boy from freecloud" from an audition for the Philips). On October 7 "is released in France (launched two versions with slightly different covers) and Australia (Oceania was slightly different issue, leaving the side A of 4'30"). In December, published in Norway, Portugal, Belgium (some copies were imported from Holland and then printed mono and stereo versions Belgium), New Zealand, Turkey, Brazil and Lebanon. In January 1970 in Japan and Spain, and in February in Greece and Brazil (where the 7 "should be played at 33rpm, probably to avoid problems with the 4:33, a somewhat lengthy period for singles). At the end of 1969 "Space oddity" is released on a promo single under the label Phonogram in Italy, together with other artists (also in Italy in 1970 he published an Italian version theme Bowie recorded for the same, but that deserves its own post.)

some versions were also launched promotional single in July 1969 released a 7 "with the edited version (3'23") monaural sides A and B in the U.S., also in the U.S., December 69, released a 7 "version of 3'23''on both sides, but this time in stereo.

In New Zealand released a promotional LP called "The Philips Revolutionaries Sampler," which included "Space Oddity" and other twelve songs by other artists on the label, which highlighted Manfred Mann.

There are very few records of live performances of the item prior to 1972, only remain in the program presentations TV show "Hits A Go Go" of November 2, 1969 (where he playback) and the live performance at the ceremony of awarding prizes "Ivor Novello" of May 10, 1970, where "Space Oddity" was awarded for its originality (both can be found on youtube.) But from 1972 to 1997 the theme was played on all the tours that Bowie began. Commemorating its 50 years (in 1997) Bowie decided not to play more the issue, but there are records of two performances later in the concert for the liberation of Tibet from February 22, 2002, held at Carnegie Hall in New York and a show in the German city of Lunden on 5 July of that year.

buy RCA In 1972 Bowie recordings for Philips and published in June that year a 7 "promo in the U.S. with" Space Oddity, "" Moonage Daydream "," Life on Mars "and" It Is not Easy. " On May 22, Bowie had played the theme on the BBC, with Mick Ronson on guitar, Trevor Bolder on bass, Mick Woodmansey on drums and Roger Pusey production, but was not transmitted. In December of that year and Bowie's fame through the roof, the RCA funds a video for the track, which is directed by Mick Rock while Bowie was recording the album "Aladdin Sane." In January 1973, the RCA decided to exploit "Space Oddity", accompanied by promotional clip is released around the world (There are 7 records in England, USA, Canada, Spain, South Africa, Turkey and even Chile) with " The man who sold the world " on the B side In Mexico, made an exception and the 7 "is accompanied by" Starman "and in Thailand" Space oddity "is accompanied by" Fool "Elvis Presley (7" semi-legal Records distributed by Thai Nakorn). In Japan, 7 "was released in March along with" It Is not Easy "as a face B. In Portugal 7" also has " The man who sold the world " on side B, but it launched only in May. And Peru is "The jean genie" the issue of the B-side There is also a promotional edition released in the U.S. and Spain, where the LP version of 5'14 "is on side A and a new edition of 3'53" on the face accompanying B. A second promotional version is distributed in September in Italy, with "Life on Mars?" As the B-side With regard to figuration in the rankings, in England reached number 15.

In September 1974 the magazine "Record Mirror" comes accompanied by a flexidisc (under the label Lynton) with a selection of greatest hits of Bowie which includes an excerpt from "Space Oddity" on track 2.

RCA returns to the fray in September 1975, this time with more success, makes it to No. 1-ranked English, getting the first top one in the history of the career of David Bowie. This time "Space oddity" is accompanied by "Changes" and "Velvet Goldmine" on side B, although some variations, such as the 7 "Yugoslav, who was only a" Velvet Goldmine "on the back and 7" promo featured English repeated in December that a " The man who sold the world " on the B side The 1975 edition was reissued in December 1982 as 7 "1 picture discs boxset of "Fashions" and individually in June 1983.

In June 1976 the 7 "with" The man who sold the world "the reverse is reprinted in Germany and Canada, and re-released in 1982 only in Germany, on the cover of the issues appeared incorrectly German subtitle "Recorded 1972" on both sides of the single, fixed error in the labeling of both sides, which specifies the correct recording year, 1969 for side A and 1970 for B. Also in Germany is published in 1980 "Space oddity" with "Alabama Song" and "Amsterdam" on the B side

In 1979, RCA released "Space Oddity" to "Fame" and side B in Italy, and later that same year, Bowie recorded a new version of the theme for the TV New Year Kenneth Everett. RCA next year editing the single "The cointinuing history of Major Tom", where "Space oddity" is accompanied by "Ashes to ashes" in versions of the single and the LP, as a way to connect the stories of both songs.

In 1984 appears for the first time in audio music included in the film "Love you till Tuesday" in the LP of the same name under the label Dram, there can be heard first initial version of the topic, published at 3:45. The LP is reissued on CD in 1992 and there "Space oddity" lasts 4:31. In January 1997, the Dram launches a promotional CD single with the Greek magazine "Zoo", which includes the original version of "Space Oddity" accompanied by "The laughing gnome ", "Rubber band " and " Love you till Tuesday. "

The acoustic demo recorded in the audition for the Philips label is rescued and included in the compilation of 1989 "Sound + Vision" of the Rykodisc label.

In December 1993 he launched another Rykodisc compilation called The Singles 1969 to 1993 "which includes an edit of 3'31" of the item, which is not the same, but try to resemble the July edition of the "original USA.

"Space oddity" has been covered among many other artists: David Matthews (1977), The London Symphony Orchestra (1978), The Flying Pickets (1985), Space Girls (in tribute " Ashes to Ashes ", 1998), Natalie Merchant (1999), Halloween (1999), Pitch Black Dream (in the tribute" Spiders from Venus ", 2003), Seu Jorge (2005), Def Leppard (2006) and Cat Power (2008)

* The audio file is the English edited version, followed by the edited version of the U.S. and after the B-side

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18.The Beatstalkers: "Little boy / When I'm five"

The partnership between Bowie and Beatstalkers continues and ends in 1969, specifically on 13 January this year David will give "When I'm Five", which had already sounded the BBC and had been released in the Philippines .

The 7 "Beatstalkers for the seventh single of the group, like the two previous issues of Bowie was released by CBS. The production was led by Tony Reeves, the group did not change in the composition for the two previous singles and the single was a complete flop.

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17.David Bowie: "When I'm Five / The London boys"

Single released by Decca in August 1968 in the Philippines, it is a single semi-legal in that country as subsidiaries the labels release singles at will, using new material and mixing it with older versions (something similar happened with The Beatles). It is for this 7 ", Bowie had finished his relationship with Dram (Decca subsidiary) and the recording of" When I'm Five "was owned by the BBC, but even so the single is released with" The London boys "on side B, the same version that had accompanied the" Rubber Band "in December 1966.

"When I'm Five" was recorded as four issues, the May 13, 1968 for the Top Gear program on BBC show that was broadcast on May 26 and repeated June 20 of that year. Bowie is accompanied by "Tony Visconty Orchestra, which included Herbie Flowers on bass, Barry Morgan on drums, John McLaughlin on guitar, Tony Visconti and Steve Peregrine-Took on backing vocals and session musicians without credit in the strings. The recording was directed and produced by Tony Visconti, who would become a regular contributor to David from now on.

In 1969 "When I'm Five" is included in the promotional film "Love you till Tuesday", whose soundtrack is newly published in 1984 by Decca.

addition to the BBC version there are two demos of Bowie, one probably in early 1968, printed on acetate and circulating among fans and collectors and a 1969 recording with John Hutchinson is included in several bootlegs.

* "The London boys" is included in the No. 9 post, so it was not incorporated into this file.

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16 . Beatstalkers The "Rain colored roses / Everything Is You" 15.The

During 1968 Bowie is still without a seal, is dedicated to redo issues that were not in the LP Dram and composing some new (not be in the next LP), one of the latter is "Everything is you", sub grants to The Beatstalkers (with whom he shared a manager Kenn Pitt) in a collaboration that will extend for another single further, that if this time the composition of Bowie is on the B side

The sixth single of the career of Beatstalkers was released on June 21 on CBS and this time the producer was Tony Reeves, the group remained the same with Lennox, Campbell, Smith, Mair and Allen. The single is also released in Germany where he had a cover.

Bowie demo version was printed in some acetates and circulates among fans, to continue the tradition of the single disastrous not to enter the ranking reached English.

Listen here the B side of "Rain colored roses"

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Beatstalkers: "Silver treetop school for boys / Sugar chocolate machine"

In December 1967 the Scottish "The Beatstalkers" recorded the same song that "The Slender Plenty" in its fifth 7 ", released on CBS label, which unfortunately can not figurative one in the rankings.

The group consisted of Davie Lennox on vocals, Eddie Campbell on organ, Ronnie Smith on guitar and vocals, Alan Mair on bass and Jeff Allen on drums. The production was done by Mike Smith and Bowie recording choirs participated.

In 1997 the A-side is included in the compilation "Tribute" David Bowie Songbook "the Connoisseur Collection label. In 2003 "Sugar Chocolate Machine" is included in the compilation "We can fly volume 4" Past And Present seal with another 24 songs from the period 1966-1971. In 2006 "Silver treetop school for boys" is included in another compilation-tribute: "Oh you pretty things" seal Castle and the following year is incorporated in the box set "Real Life Permanent Dreams" Seal Sanctuary along with other British psychedelic singles groups between 1965 and 1970.

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14.The Slender Plenty:"Silver treetop school for boys / I’ve lost a friend and found a lover"

Bowie gives one of his songs, "Silver treetop school for boys, this time the group" The Slender Plenty ", those who publish on the A side of their single, September 1967. Produced by Andy Black 7 "is released on the Polydor label, and like the songs recorded by Bowie himself can not enter the rankings.

The demo version of Bowie was believed lost for many years until an acetate appeared on e-bay in 2004 but was not sold, soon after a very low quality version circulated on the Internet.

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13.Dee Dee:"Love is always / Pancho"

Dee Dee was a TV star Belgian release this single on 10 June 1967 under the label Palette. Probably both issues had been a success in her TV show, the B-side "Pancho" was a song composed by Willy and Andree Albimoor Cylene Giroud and the letter had been written by David Bowie.

In 1996, BMG Ariola Belgium released the compilation "Another crazy cocktail party" which included "Pancho." The following year the U.S. RCA reissued the collection with the title "Another crazy cocktail party - Shake your congas" and "Dee Dee" appears as "Dee Dee and Her Panchos

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11.David Bowie:”David Bowie”

First LP Bowie, recorded in Studio # 2 Decca in West Hampstead from 11 November 1966 and February 25, 1967, produced by Mike Vernon, with Bowie voice, guitar and saxophone, Dek Fearnley on bass, Derek Boyes on organ, John Eager on drums and session musicians unspecified.

On the A side was "Uncle Arthur", "Sell me a coat", "Rubber Band", "Love you till Tuesday," There is a happy land "," We are hungry men "and" When I live my dream. " And on the flip side: "Little bombardier "," Silly boy blue "," Come and buy my toys "," Join the gang "," She's got medals, "" Maid of Bond Street "and" Please Mr.Gravedigger. " The 14 tracks are composed of Bowie.

The album was released first in the U.S., April 67, mono and stereo versions, but "We are hungry men" or "Maid of Bond Street", with only six songs per side and with errors writing of "Little Bombardier" (credited as "Little Bombadier") and "Silly boy blue" (wrongly written as "Silly boy Blues"). June 1 1967, the day of the release of "Sgt Pepper's "by The Beatles, LP Dram launches in England, and a roll of 8-track cartridges. Following his slump the LP does not enter the rankings.

mono editions had different mixtures, which are felt mainly in "Uncle Arthur" (where your palms away from the start and end) and "Please Mr. Gravedigger", the latter as "Rubber Band" had rewritten as the master of the first recording sessions are lost. A sad loss for although "Rubber Band" and "London boys" were printed a single, original version of "Please Mr. Gravedigger" was lost for many years, until 2007, an acetate with the version circulated among fans, revealing a body that came with sound effects and voice Bowie.

There are some demo versions of some songs that circulated in some bootlegs in later years. One of them is "Love you till tuesday", of which there is a demo version and a version sung in German. There are also five other versions of "When I live my dream", a rewrite that apparently was intended to be the 4th single for Dram, a version with a letter slightly different (known as "My Dream"), a German version, recorded in 1969 for a TV program entitled "Mit Mir In Deinem Traum" and finally two versions included in the pantomime of 1970, "The Looking Glass Murders." From "Silly boy blue" there is also a demo version recorded with "The Buzz" (the same Fearnley, Boyes and John Hutchinson Eager plus guitar).

The December 18, 1967 Bowie recorded "Love you till tuesday", "Silly boy blue," "When I live my dream" and "Little Bombardier" to the "Top Gear" on BBC, which was broadcast on December 24, 1967 and repeated on January 28, 1968. Bowie is joined by Arthur Greenslade and his orchestra of 16 musicians, was produced by Bernie Andrews. "Silly boy blue" was also recorded for the second presentation of Bowie at the BBC, also in "Top Gear", the May 13, 1968, but was not transmitted. This recording was produced by Tony Visconti and 14 other musicians, including Herbie Flowers on bass, Barry Morgan on drums and John McLaughlin on guitar.

Also in 1968 the British singer Billy Fury covers "Silly boy blue" in a single, with "One minute woman" and side B (this version was included on the tribute CD "Oh you pretty things", 2006) . In February next year Bowie shooting a film called "Love you till tuesday", which included some tracks from this LP and some new songs. Among the topics were "Rubber Band", "Love you till tuesday" (without the coda), "Sell me a coat" (with additional vocals by Hermione Farthingale and John Hutchinson) and "When I live my dream" ( the new version for the 4 th single for Dram).

LP is reissued on several occasions, the first in 1973 in Japan under the Dram label, King Records, a reissue well known Argentina in 1976, an English and French, 1980, 1981. In 1983 Germany and the U.S. appears in the first edition LP on CD, under the label London, which is reprinted in 1987 and reissued in 1984 on LP in England including a cassette version. In Spain, the album was released twice in CD format, the first in 1991 when included in issue No. 28 of the magazine "Jazz and Rock" and the second in 1993 in a special edition for the "World Book Club" within the series "60, 60." Rebound In 1998, the label reissued the CD in the U.S. but not "Silly Boy Blue" and "Little Bombardier", a curious choice, perhaps tried to replay the original American version of twelve songs, but rather to exclude the issues that drew the original version left aside the two issues that were poorly written. In any case since 1970 that the Dram material is published in a lot of compilations, some of them even included the full LP.

In 2000 Bowie rewrite "Silly boy blue" for its project "Toy", but this is never officially published in February next year's performed live with Tony Visconty, Moby and a choir of Tibetan monks in the Tibet benefit concert held at Carnegie Hall in New York.

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